Talented musicologists and educational institutions will receive a total of $20,000 for research and preservation of Latin music 

MIAMI (FEB. 16, 2023) — The Latin GRAMMY Cultural Foundation® announced the winners of its Research and Preservation Grant program. This program provides grants to music institutions, nonprofit organizations, musicologists, and researchers around the world who are enhancing and preserving Latin music heritage. This year, an eclectic group of institutions and scholars will receive this support. The four grants, with a maximum value of $5,000 each, support diverse initiatives: The Preservation Grants fund the archiving and preservation of Latin music and its unique customs, while the Research Grants support projects that emphasize historical and anthropological research, in addition to documenting traditions and Latin folklore.

“For the eighth consecutive year, we have the pleasure and privilege of awarding Research and Preservation Grants to deserving Latin music creators,” said Raquel “Rocky” Egusquiza, Executive Director of the Latin GRAMMY Cultural Foundation. “We are pleased to celebrate this year’s honorees and their respective projects which seek to uphold the legacy of Latin music through their creative and innovative endeavors inspiring and educating future generations of creators.”

Awarded Preservation Grants:

-Andrew Skinner, Clayton, GA, United States, and Daniel Zanessi, Mendoza, Argentina – Through the project “Preservation and Distribution of the Studio Zanessi Collection” (Rescate y Difusión de la Colección del Estudio Zanessi), the goal is to digitalize, promote, and distribute unpublished recordings of invaluable cultural and historical significance to Argentina's interior, archived in quarter-inch tape in Mendoza’s historic music studio, Zanessi Studios. This collection has been declared of national interest by the Province of Mendoza, and as its tape nears 50 years old, it is in urgent need of being preserved. The musicians who recorded at Zanessi, from around western Argentina, were foundational in shaping the sound of contemporary Argentine folk music. Many of these musicians formed part of the Nuevo Cancionero Movement, a social artistic movement founded in Mendoza in 1963 that sought to represent the lives and experiences of everyday Argentinians, promote Pan-Americanism, and bend traditional folk music rules. The movement, with the voice of Mercedes Sosa, the poetry of Armando Tejada Gómez, the melodies of Oscar Matus, and the compositions of virtuosic guitarist, Tito Francia, inspired and linked with other “New Song” movements around Latin America. The project to digitalize the Zanessi Collection is a collaboration between Andrew Skinner, a mastering engineer and Nuevo Cancionero researcher with the University of Cuyo, and Daniel Zanessi, the owner of Zanessi Studios, who helped record many of the sessions the team is now working to digitalize. They will work with the musicians or their descendants to publish the music alongside related photos and stories.

-Gustavo Ahualli, Latin American Music Center, The Catholic University of America – For many years, the Latin American Music Center (LAMC) at The Catholic University of America has suffered from a lack of resources to devote the proper time and attention towards the process of cataloging and maintaining its specialized library of Latin American sheet music, books, and recordings. The LAMC has responded to this issue by developing a multi-phase project focused on the process of cataloging and digitizing the complete collection while preserving its fragile materials. One of the primary goals of the LAMC is to continue to create opportunities for the broad dissemination of Latin American music and culture through the resources and multifaceted activities of the Center, which include numerous institutional collaborations, cultural exchanges and world-class musical performances. The complete cataloging of this unique collection is critical for the LAMC to move forward with its plan of digitizing and preserving the materials of the Center while making this important musical treasure available to the students and faculty and the worldwide community of musicians, researchers, and performing artists. In 2021, a Preservation Grant from the Latin GRAMMY Cultural Foundation supported the launch of Phase 1 of the LAMC’s archival and preservation project.

Awarded Research Grants:

-Gabriela Gómez Estévez, Louisiana State University – “Dicotomía: Contextualizing the Symphonic Works of Margarita Luna García” is a project that analyzes the life of Dominican composer and pedagogue Margarita Luna García, who was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Her works synthesize vernacular musical material and modernist techniques. The lack of availability of published materials restricts the performance of Luna's symphonic works. The study aims to produce performance and audiovisual materials to improve access to her music and promote its study and performance. This project is partially funded by the Dominican Studies Institute of the City University of New York through their Research Fellowship program in the amount of $10,000 which covers two thirds of the $15,000 total needed for the project.

-Dr. Sang Woo Kang, Seoul, South Korea – Musical borrowing is a pervasive aspect of musical creation in all genres and periods. Musicologists use several terms to describe composers’ uses of existing works, including borrowing, self-borrowing, transformative imitation, quotation, modeling, emulation, decomposition, influence and indebtedness. The goal of the project “Appropriation and Multiculturalism of Latin Influence in early American Music” will be to show Latin American influence on early American music through explanatory text and recordings while also highlighting the composer Louis M. Gottschalk, one of the founding fathers of classical music in the United States, including his influences and use of folk tunes, and the Latin composers who inspired him. This project will provide a basis for discography and teaching resources for those interested in the study of diverse influences in early American music. Gottschalk was important to the development of American musical history during a time when many people were emigrating from Latin American countries. Scholars have discussed the importance of race and racialization especially in understanding popular music of the American south.

A committee of experts from Latin America, the Iberian Peninsula, and the United States selected the recipients among numerous qualified candidates. Since its inception in 2015, the program has awarded more than $175,000 in grants to support projects, one of which received a Latin GRAMMY® and GRAMMY® Award.

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ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:

The Latin GRAMMY Cultural Foundation® is a 501(c)(3) charitable organization established by The Latin Recording Academy® in 2014 to further international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture. The Foundation provides college scholarships, educational programs and grants for the research and preservation of its rich musical legacy and heritage, and to date has donated over $7.6 million with the support of The Latin Recording Academy members, artists, corporate sponsors and other generous donors. For additional information, or to make a donation, please visit www.latingrammyculturalfoundation.org , Amazon Smile or our Facebook page. And follow us @latingrammyfdn on Twitter and Instagram, and at Latin GRAMMY Cultural Foundation on Facebook.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

305.428.3476

For the first time, the four-year scholarship towards a bachelor's degree and wrap around services will be sponsored by a record label

Additional scholarships are available to music students with financial limitations from the Frost School of Music at the University of Miami, Gil Family Foundation and Gibson Gives

Deadline to apply is April 10, 2025

MIAMI (DECEMBER 20, 2024) — The Latin GRAMMY Cultural Foundation® announced that Warner Music Latina will sponsor its Prodigy Scholarship toward a bachelor’s degree at Berklee College of Music. The scholarship will cover tuition and room and board for the 2025 fall semester, as well as wrap around services provided by the Foundation. Warner Music Latina—a powerhouse in Latin music with a legacy of discovering and developing groundbreaking artists across genres— brings its industry-leading expertise and deep commitment to nurturing emerging talent to this partnership. It is the first time in the scholarship’s decade long history that it will be sponsored by a record label.

“This partnership embodies one of our core values: to cultivate intellectual and artistic potential by removing barriers that often impede exceptional musicians from realizing their vision. Through strategic educational support we're not just investing in individual careers, but in the broader cultural landscape of musical innovation,” said Alejandro Duque, President of Warner Music Latin America. Roberto Andrade, Managing Director, Warner Music Latina, added, “At Warner Music Latina, we’re proud to support young talent through this scholarship. By empowering aspiring musicians, we’re investing in the voices that will shape tomorrow’s soundtrack. This is more than an opportunity – it’s a commitment to creativity, talent and the future of music.”

“The support of our donors makes the fulfillment of our mission to provide educational opportunities that advance Latin music and its heritage a reality,” said Raquel “Rocky” Egusquiza, Executive Director of the Latin GRAMMY Cultural Foundation. “We are grateful to Warner Music Latina, Frost School of Music, Gibson Gives and the Gil Family Foundation for hosting these scholarships, providing opportunities to aspiring Latin music creators in need of financial aid to pursue their dreams.”

In addition, several scholarships are available for music students between the ages of 17 and 25 with a passion for Latin music and financial limitations:

Two (2) Gifted Tuition Scholarships of up to $120,000 each will be awarded to students to cover tuition costs towards a four-year bachelor's degree in music and wrap around services starting next fall as follows:

• The Frost School of Music at the University of Miami will award one scholarship to a student interested in pursuing a program at the highly acclaimed music school, for up to $120,000 including wrap around services over four years. Sharing a mission to shape the future of music and transform lives, the Frost School and the Latin GRAMMY Cultural Foundation joining forces has been a long time coming, and most recently, the school hosted the Foundation's 10-year celebration on its Miami campus at the brand-new Knight Center for Music Innovation.

• Gil Family Foundation will also offer a scholarship for up to $120,000 for tuition and wrap around services for a student to attend the music institution of their choice.

Also, several other Tuition Assistance Scholarships offering up to $12,500 each for tuition and wrap around services over one year will be awarded to students to attend or who are attending the music institution of their choice. These are one-time awards.

Gibson Gives, the philanthropic division of the iconic American instrument brand Gibson, will offer three (3) Tuition Assistance Scholarships of up to $12,500 each to be awarded to students who study guitar as their principal instrument. This is a one-time award that will cover tuition and wrap around services for the music institution of their choice and includes the gift of a Gibson guitar.

The Latin GRAMMY Cultural Foundation is now accepting applications for all 2025 scholarships until April 10, 2025 at 11:59 p.m. EDT. Click here to review 2025 guidelines and apply. The application includes two audition videos, two letters of recommendation, two essays, and an acceptance letter from an accredited university. Materials can be submitted in English, Spanish or Portuguese.

To date, the Latin GRAMMY Cultural Foundation has awarded 427 scholarships, investing more than $10 million over the last decade. The Prodigy Scholarship was created 10 years ago, and has been co-sponsored by iconic Latin music creators including Sebastián Yatra (2024), Nicky Jam (2023), Sofia Carson (2022), Juanes (2021), Julio Iglesias (2020), Emilio and Gloria Estefan (2019), Carlos Vives (2018), Miguel Bosé (2017), Juan Luis Guerra (2016) and Enrique Iglesias (2015).

For information and the latest news, please visit the official Latin GRAMMY Cultural Foundation website at: www.latingrammyculturalfoundation.org

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ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:

The Latin GRAMMY Cultural Foundation® is a 501(c)(3) charitable organization established by The Latin Recording Academy® with the vision of becoming a global champion of music education and empowering communities through Latin music and culture. In 2024 the Foundation will celebrate its 10-year anniversary, and during the last decade it has fostered the next generation of Latin music creators through scholarships, education programs and grants that advance Latin music and celebrate its rich cultural heritage. To date, the Foundation has donated more than $10 million dollars with the support of The Latin Recording Academy’s members, artists, corporate sponsors and other generous donors. For additional information or to donate, please visit latingrammyculturalfoundation.org or our Facebook page. And follow us @latingrammyfdn on X and Instagram, and at Latin GRAMMY Cultural Foundation on Facebook and LinkedIn.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

Six talented researchers, musicologists, non-profit organizations and educational institutions will receive a total of $60,000 for research and preservation of Latin music, sponsored for the first time by PepsiCo Juntos Crecemos

MIAMI (DECEMBER 19, 2024) — The Latin GRAMMY Cultural Foundation® announced the six winners of its Latin Music Research and Preservation Grants program. This marks the second time this year that winners have been awarded for this program.

In celebration of the Foundation’s 10th anniversary, and in partnership with PepsiCo Juntos Crecemos, it launched six additional grants increasing the individual grant amounts from $5,000 to $10,000 each, for a total of $60,000 distributed amongst projects for this group.

The program provides grants to educational institutions, nonprofit organizations, musicologists and researchers around the world who are enhancing and preserving Latin music heritage. This year, a diverse array of institutions and scholars will benefit from this support. The six grants are dedicated to a range of initiatives. Research Grants focus on projects that highlight historical and anthropological studies, as well as the documentation of traditions and Latin folklore, while Preservation Grants are designed to fund the archiving and safeguarding of Latin music and its distinctive cultural practices.

“Research and Preservation Grants are essential for preserving the legacy of Latin music and fostering the next generation of creators. We are grateful to PepsiCo Juntos Crecemos for their unwavering support and continued passion to celebrating Latin music and its cultural heritage,” said Raquel “Rocky” Egusquiza, Executive Director of the Latin GRAMMY Cultural Foundation. “Together, we are able to broaden our reach and provide support to even more deserving projects in alignment with our mission.”

Awarded Research Grants:

Dr. Manuel Sevilla, Colombia – Archivos y festivales: Aprendizajes de dos casos en Colombia (Archives and Festivals: Learnings from Two Cases in Colombia) delves into the rich cultural heritage of Colombia, analyzing innovative practices in archive creation, the roles of key stakeholders, and the ways archives are utilized to strengthen musical ecosystems. This initiative focuses on two celebrated festivals: the Festival de Música del Pacífico Petronio Álvarez (The Pacific Music Festival Petronio Álvarez) in Cali and the Festival de la Leyenda Vallenata (Vallenato Legend Festival) in Valledupar. Both festivals honor musical traditions recognized by UNESCO as Intangible Cultural Heritage of Humanity, highlighting their significance in preserving and celebrating Colombia’s vibrant cultural legacy.

Jorge Benavides, Honduras – Dügü Inaudito: Salvaguardia del Legado Ancestral Garífuna (Inaudible Dügü: Safeguarding the Ancestral Garífuna Legacy) is an initiative dedicated to revitalizing the Garífuna language, music, and dance—proudly recognized as an Intangible Cultural Heritage of Humanity. According to UNESCO, these practices face significant risks due to discrimination and the declining transmission of the Garífuna language. This project, developed in collaboration with Tambor Negro, will document the Dügü, an ancestral ceremony that embodies the essence of Garífuna intangible heritage. The findings will contribute to the broader Indigenous Languages Project led by the CCET and will also be integrated into the MUSIDANSE Institute at the University of Paris 8, ensuring global recognition and preservation of this invaluable cultural legacy.

Caio de Souza, Brazil – Sonic Transductions: Revisiting Lorenzo Dow Turner’s Radioscape in Bahia (1940-1941), an innovative project that seeks to shed light on artistic production, cultural and social fabric, and historical context by bringing to life the groundbreaking recordings made by African-American linguist Lorenzo Dow Turner in Salvador, Bahia, during 1940 and 1941. Through these rediscovered audio treasures, the project will offer fresh perspectives on the artistic production of Bahia’s capital, extending beyond the renowned figures of this pivotal era. The initiative will culminate in a six-episode podcast series, providing an in-depth exploration of these recordings and their enduring significance, inviting listeners to engage with a rich and multifaceted chapter of Brazil’s cultural history.

Awarded Preservation Grants:

Orquesta Experimental de Instrumentos Nativos, Bolivia – The Orquesta Experimental de Instrumentos Nativos (OEIN) (Experimental Orchestra of Native Instruments) has launched an ambitious initiative to preserve and celebrate the country’s indigenous musical heritage. Preservación, Digitalización y Geolocalización de los Registros de Música Indígena Boliviana de Alain Thirion (Preservation, Digitization, and Geolocation of Alain Thirion's Records of Bolivian Indigenous Music) focuses on the preservation, digitization, cataloging, and geolocation of a remarkable collection of recordings made by Australian researcher Alain Thirion in the 1990s. These recordings capture the rich musical traditions of various indigenous communities from Bolivia’s highlands and valleys—many of which face the risk of extinction due to migration, generational shifts, and the pressures of globalization. Through this initiative, the OEIN aims to safeguard and share this invaluable cultural legacy with future generations, ensuring it remains a vibrant part of Bolivia’s national identity.

Andrew Skinner, Daniel Zanessi and Antonio Leguiza, together with the Faculty of Arts and Design of the National University of Cuyo, Argentina – The project Creación de "Archivo de Música Cuyana y Popular Argentina" en La Universidad Nacional de Cuyo (Creation of the 'Archive of Cuyana and Popular Argentine Music' at the National University of Cuyo) is focused on establishing the first public archive of Cuyano and Argentine Popular Music. It aims to recover, preserve, and promote a vast collection of musical recordings that are of immense importance to the Cuyano, Argentine, and Latin American cultures. To form the archive, they have based their efforts on the audio collection of the historic Zanessi Studio, culminating years of preservation projects and institutionalizing the care of this valuable material. From this foundation, they are creating a public space where musicians and their families can contribute their materials to this Creative Commons collection, ensuring its preservation at the National University of Cuyo. As a first contribution, they will present the already digitized audio collection as part of the "Zanessi Collection" project, funded by The Latin GRAMMY Cultural Foundation’s Latin Music Research and Preservation Grant program in 2023. Among the many musical archives, it will include the complete works of Tito Francia, a founding member of the Nueva Canción movement, who collaborated with Mercedes Sosa, Armando Tejada Gómez, Oscar Matus, and revolutionized the aesthetic of Cuyano music, extending his influence across Latin America.

Miguel Díaz y Nicolas Ramirez Salaberry, Paraguay – The Creación de la Fonoteca Memoria Histórica de la Radio Nacional del Paraguay (Creation of the Historical Memory Sound Archive of the National Radio of Paraguay) aims to rescue, safeguard, and promote the preservation of vinyl records from the former radio station's archive. This invaluable collection was discovered during a research project conducted in 2023 by Mg. Nicolás Ramírez Salaberry and Dr. Miguel Díaz Antar, with financial support from the National Secretariat of Culture of Paraguay. Initially, the researchers sought to create an updated inventory of the Radio Nacional del Paraguay's archive for musicological studies. However, they found that no such collection existed. The few remaining and rare records that had survived media changes were scattered and poorly preserved. Through interviews with former staff and directors, it was revealed that much of the archive's material had been looted and disappeared in connection with events surrounding the fall of dictator Alfredo Stroessner in 1989, and the subsequent erasure of files related to the dictatorship. The investigation resulted in the recovery of 120 vinyl records that belonged to the old sound archive and constitute the primary safeguarding material for the current project.

A committee of experts from Latin America, the Iberian Peninsula, and the United States selected the recipients among numerous qualified candidates. Since its inception in 2015, the program has awarded more than $255,000 in grants to support projects, one of which received a Latin GRAMMY® and GRAMMY® Award.

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ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:

The Latin GRAMMY Cultural Foundation® is a 501(c)(3) charitable organization established by The Latin Recording Academy®, with the vision of becoming a global champion of music education and empowering communities through Latin music and culture. In 2024 the Foundation celebrates its 10-year anniversary, and during the last decade it has fostered the next generation of Latin music creators through scholarships, education programs and grants that advance Latin music and celebrate its rich cultural heritage. To date, the Foundation has donated more than $10 million dollars with the support of The Latin Recording Academy’s members, artists, corporate sponsors and other generous donors. For additional information, or to donate, please visit latingrammyculturalfoundation.org or our Facebook  page. And follow us @latingrammyfdn on X and Instagram, and at Latin GRAMMY Cultural Foundation on Facebook and LinkedIn.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

305.428.3476

The recordings feature music and conversations between 10 renowned artists,

and are available exclusively on Facebook

For additional images click here

MIAMI (DECEMBER 18, 2024) – The Latin Recording Academy® announced its Latin GRAMMY® Sessions: 25 Años as a culmination of the 25th anniversary celebrations of the Latin GRAMMYs® in 2024. This digital piece features conversations between five renowned artists with long-standing music careers and younger musicians who they have a special admiration for and who they invited to collaborate on one of their iconic songs.

The featured artists are part of a diverse group that is representative of The Latin Academy’s membership body and reflect its growth and evolution over the last 25 years. Each of the five duets feature brand new arrangements of classic songs from the iconic artists.

“As part of our 25th anniversary celebrations we wanted to create a project that aligns with our mission of transcending generation, geography, gender and genres,” said Manuel Abud, CEO of The Latin Recording Academy. “We are grateful to these artists who shared their time and artistry with us to help elevate Latin music around the world and support the next generation of Latin music creators.”

The featured artists for the Latin GRAMMY Sessions: 25 Años are:

• Gilberto Gil, Latin GRAMMY winner and 2003 Latin Recording Academy Person of the Year™, and Latin GRAMMY nominee João Gomes singing “Palco”, recorded at Gil’s Rio de Janeiro studio under the musical direction of Bem Gil and Daniel Mendes.

• Juanes, Latin GRAMMY winner and 2019 Latin Recording Academy Person of the Year™, and Latin GRAMMY nominee GALE singing “Es Por Ti”, recorded at Juanes’ studio in Miami under the musical direction of Emmanuel Briceño and Juanes.

• Carlos Vives, Latin GRAMMY winner and 2024 Latin Recording Academy Person of the Year™, and Goyo, Latin GRAMMY winner and 2023 Leading Ladies honoree, singing “Volví A Nacer”, recorded at Vives’ studio in Bogotá under the musical direction of Andrés Leal and Vives.

• Chucho Valdés, Latin GRAMMY winner and 2018 Latin Recording Academy Lifetime Achievement Award recipient, and Latin GRAMMY nominee Cimafunk (and his band La Tribu) singing “Mambo Influenciado”, recorded at Criteria Recording Studios in Miami during Latin GRAMMY Week, under the musical direction of Raúl Zapata a.k.a Dr. Zapa.

• Mon Laferte, Latin GRAMMY winner and 2023 Leading Ladies honoree, and Latin GRAMMY nominee Bruses singing “Amor Completo”, recorded at Criteria Recording Studios in Miami during Latin GRAMMY Week under the musical direction of Manú Jalil and Raúl Zapata a.k.a Dr. Zapa.

The project was executive produced by Laura Dergal, Head of Marketing & Content Development at The Latin Academy, along with Fine and Dandy Films.

The project also closes the 25th anniversary celebrations for the Latin GRAMMYs which featured a series of events including exhibits, concerts and tributes in Los Angeles, Buenos Aires, México City, Málaga, San Juan and Miami, as well as official merchandise, tribute ads, and an expansive outdoor marketing campaign in Miami, which hosted the 25th Annual Latin GRAMMY Awards®.

The full-length Latin GRAMMY Sessions: 25 Años will be available exclusively via The Latin GRAMMYs Facebook channel, and the individual performances are available as Instagram Reels on The Latin Recording Academy and artists’ Instagram accounts.

For the latest news, visit the official Latin Recording Academy site at LatinGRAMMY.com. Follow us o Facebook (LatinGRAMMYs), X (@LatinGRAMMYs), Instagram (@LatinGRAMMYs), and the Latin GRAMMYs WhatsApp Channel, and use #LatinGRAMMY on all popular social media platforms. The official Latin GRAMMY app is also available on iOS (Apple) and Android (Google Play).

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ABOUT THE LATIN RECORDING ACADEMY:

The Latin Recording Academy® is an international nonprofit dedicated to nurturing, celebrating, honoring and elevating Latin music and its creators. Established as the global authority on Latin music, the membership-based organization composed of music professionals, produces the annual Latin GRAMMY Awards®, The Biggest Night in Latin Music®, which honors excellence in the recording arts and sciences, in addition to providing educational and outreach programs for the music community through its Latin GRAMMY Cultural Foundation®. For more information, please visit LatinGRAMMY.com.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

For images, click here 

MIAMI (NOVEMBER 14, 2024) — Last night, The Latin Recording Academy® celebrated its 2024 Person of the Year Gala honoring Carlos Vives, with moving renditions of some of Vives’ renowned repertoire, featuring past and current Latin GRAMMY® nominees including Edgar Barrera, María Becerra, David Bisbal, Rubén Blades, Martina Camargo, Camilo, Pedro Capó, Silvestre Dangond, Emilia, Emilio Estefan, Gloria Estefan, Fonseca, Luis Fonsi, Kany García, Vicente García, Gente De Zona, Goyo, Grupo Frontera, Juan Luis Guerra, Juanes, Carín León, Los Fabulosos Cadillacs, Víctor Martínez, Niña Pastori, Antonio Rey, Arturo Sandoval, Alejandro Sanz, Tato, Tonada, Julieta Venegas, Wisin and Sebastián Yatra.

Vives, a Latin GRAMMY and GRAMMY® winner, was honored for his more than three-decade career as a multifaceted singer and composer, as well as for his continued commitment to environmental and social initiatives.

The star-studded gala and tribute concert — which marked the 25th anniversary of the recognition — was held at the Miami Beach Convention Center, where six previous Person of the Year honorees kicked off the festivities with exhilarating opening numbers: Rubén Blades (2021) and Juan Luis Guerra (2007) performed “Dejame Entrar”; Gloria Estefan (2008) sang “Mil Canciones,” accompanied by Emilio Estefan (2000) on the conga; Alejandro Sanz (2017) performed “Un Pobre Loco,” accompanied by Arturo Sandoval on the trumpet; and Juanes (2019) performed a version of “La Gota Fría”.

The evening’s other eagerly awaited musical performances also featured an international group of artists across a variety of genres, creating unexpected musical moments that aligned with Vives’ style, which often fuses styles but always maintains a focus on musical roots and authenticity. Los Fabulosos Cadillacs performed “Carito”; Julieta Venegas and María Becerra sang a folk version of “Cumbiana,” with Venegas on the accordion; Carín León, Grupo Frontera and Edgar Barrera performed “Volví A Nacer”; Wisin, Emilia and Goyo showcased an urban medley of “Tu Amor Eterno,” followed by Wisin and Luis Fonsi with a version of “Bailar Contigo”; Niña Pastori and guitarists Antonio Rey and Víctor Martínez performed a flamenco rendition of “La Cumbia De Todos,” accompanied by the University of Miami’s Frost School of Music students; Pedro Capó and Vicente García performed a reggae/blues version of “Santa Marta-Kingston-New Orleans”; Kany García performed “Voy A Olvidarme De Mí”; Martina Camargo, Tonada and Tato performed “Rosa”; David Bisbal and Gente De Zona performed “Fruta Fresca”; and Vives closed the show with his songs “Pa’ Mayte” and “La Tierra Del Olvido,” followed by a medley of “Quiero Verte Sonreir,” “El Amor De Mi Tierra,” “Amor Sensible,” “El Cantor De Fonseca,” and “La Cañaguatera,” along with Camilo, Silvestre Dangond, Fonseca and Sebastián Yatra.

The highly-anticipated gala preceded the 25th Annual Latin GRAMMY Awards®, which will air live from the Kaseya Center in Miami on November 14 via Univision, UniMás, Galavisión and ViX beginning at 8 p.m. ET/PT (7 p.m. Central).

Latin Academy Senior Vice President of Production Ayleen Figueras and Macarena Moreno served as executive producers of the gala, with Latin GRAMMY-nominees Janina Rosado as Musical Director, and Daniel Flores as Musical Supervisor.

As a first ever multi-year sponsorship for The Latin Recording Academy’s Person of the Year Gala, Live Nation served as co-presenting sponsor with the Gary Nader Art Centre.

Net proceeds from the 2024 Latin Recording Academy Person of the Year Gala will go toward the charitable work of the Latin GRAMMY Cultural Foundation®, whose mission is to further international awareness and appreciation of the significant contributions of Latin music and its makers to the world's culture. The Foundation provides college scholarships, educational programs and grants for the research and preservation of its rich musical legacy and heritage, and to date has donated more than $10 million with the support of Latin Recording Academy members, artists, corporate sponsors and other generous donors. 

ABOUT THE LATIN RECORDING ACADEMY:
The Latin Recording Academy® is an international nonprofit dedicated to nurturing, celebrating, honoring and elevating Latin music and its creators. Established as the global authority on Latin music, the membership-based organization composed of music professionals produces the annual Latin GRAMMY Awards®, The Biggest Night in Latin Music®, which honors excellence in the recording arts and sciences, in addition to providing educational and outreach programs for the music community through its Latin GRAMMY Cultural Foundation®. For more information, please visitLatinGRAMMY.com.
 
MEDIA CONTACT:
 
The Latin Recording Academy
Iveliesse Malavé
Ive@grammy.com