Bad Bunny

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La Fundación Cultural Latin GRAMMY® anuncia los ganadores de su programa de Subvenciones de Investigación y Preservación

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**Talented musicologists and educational institutions will receive a total of $20,000 for research and preservation of Latin music** 

**MIAMI (FEB. 16, 2023)** — The Latin GRAMMY Cultural Foundation® announced the winners of its Research and Preservation Grant program. This program provides grants to music institutions, nonprofit organizations, musicologists, and researchers around the world who are enhancing and preserving Latin music heritage. This year, an eclectic group of institutions and scholars will receive this support. The four grants, with a maximum value of $5,000 each, support diverse initiatives: The Preservation Grants fund the archiving and preservation of Latin music and its unique customs, while the Research Grants support projects that emphasize historical and anthropological research, in addition to documenting traditions and Latin folklore.

“For the eighth consecutive year, we have the pleasure and privilege of awarding Research and Preservation Grants to deserving Latin music creators,” said **Raquel “Rocky” Egusquiza**, Executive Director of the Latin GRAMMY Cultural Foundation. “We are pleased to celebrate this year’s honorees and their respective projects which seek to uphold the legacy of Latin music through their creative and innovative endeavors inspiring and educating future generations of creators.”

Awarded Preservation Grants:

**-Andrew Skinner, Clayton, GA, United States, and Daniel Zanessi, Mendoza, Argentina** – Through the project “Preservation and Distribution of the Studio Zanessi Collection” (*Rescate y Difusión de la Colección del Estudio Zanessi*), the goal is to digitalize, promote, and distribute unpublished recordings of invaluable cultural and historical significance to Argentina's interior, archived in quarter-inch tape in Mendoza’s historic music studio, Zanessi Studios. This collection has been declared of national interest by the Province of Mendoza, and as its tape nears 50 years old, it is in urgent need of being preserved. The musicians who recorded at Zanessi, from around western Argentina, were foundational in shaping the sound of contemporary Argentine folk music. Many of these musicians formed part of the Nuevo Cancionero Movement, a social artistic movement founded in Mendoza in 1963 that sought to represent the lives and experiences of everyday Argentinians, promote Pan-Americanism, and bend traditional folk music rules. The movement, with the voice of Mercedes Sosa, the poetry of Armando Tejada Gómez, the melodies of Oscar Matus, and the compositions of virtuosic guitarist, Tito Francia, inspired and linked with other “New Song” movements around Latin America. The project to digitalize the Zanessi Collection is a collaboration between Andrew Skinner, a mastering engineer and Nuevo Cancionero researcher with the University of Cuyo, and Daniel Zanessi, the owner of Zanessi Studios, who helped record many of the sessions the team is now working to digitalize. They will work with the musicians or their descendants to publish the music alongside related photos and stories.

**-Gustavo Ahualli, Latin American Music Center, The Catholic University of America** – For many years, the Latin American Music Center (LAMC) at The Catholic University of America has suffered from a lack of resources to devote the proper time and attention towards the process of cataloging and maintaining its specialized library of Latin American sheet music, books, and recordings. The LAMC has responded to this issue by developing a multi-phase project focused on the process of cataloging and digitizing the complete collection while preserving its fragile materials. One of the primary goals of the LAMC is to continue to create opportunities for the broad dissemination of Latin American music and culture through the resources and multifaceted activities of the Center, which include numerous institutional collaborations, cultural exchanges and world-class musical performances. The complete cataloging of this unique collection is critical for the LAMC to move forward with its plan of digitizing and preserving the materials of the Center while making this important musical treasure available to the students and faculty and the worldwide community of musicians, researchers, and performing artists. In 2021, a Preservation Grant from the Latin GRAMMY Cultural Foundation supported the launch of Phase 1 of the LAMC’s archival and preservation project.

Awarded Research Grants:

**-Gabriela Gómez Estévez, Louisiana State University** – “Dicotomía: Contextualizing the Symphonic Works of Margarita Luna García” is a project that analyzes the life of Dominican composer and pedagogue Margarita Luna García, who was one of the most notable figures of avant-garde music in the Dominican Republic in the twentieth century. Her works synthesize vernacular musical material and modernist techniques. The lack of availability of published materials restricts the performance of Luna's symphonic works. The study aims to produce performance and audiovisual materials to improve access to her music and promote its study and performance. This project is partially funded by the Dominican Studies Institute of the City University of New York through their Research Fellowship program in the amount of $10,000 which covers two thirds of the $15,000 total needed for the project.

**-Dr. Sang Woo Kang, Seoul, South Korea** – Musical borrowing is a pervasive aspect of musical creation in all genres and periods. Musicologists use several terms to describe composers’ uses of existing works, including borrowing, self-borrowing, transformative imitation, quotation, modeling, emulation, decomposition, influence and indebtedness. The goal of the project “Appropriation and Multiculturalism of Latin Influence in early American Music” will be to show Latin American influence on early American music through explanatory text and recordings while also highlighting the composer Louis M. Gottschalk, one of the founding fathers of classical music in the United States, including his influences and use of folk tunes, and the Latin composers who inspired him. This project will provide a basis for discography and teaching resources for those interested in the study of diverse influences in early American music. Gottschalk was important to the development of American musical history during a time when many people were emigrating from Latin American countries. Scholars have discussed the importance of race and racialization especially in understanding popular music of the American south.

A committee of experts from Latin America, the Iberian Peninsula, and the United States selected the recipients among numerous qualified candidates. Since its inception in 2015, the program has awarded more than $175,000 in grants to support projects, one of which received a Latin GRAMMY® and GRAMMY® Award.

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**ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:**

The Latin GRAMMY Cultural Foundation® is a 501(c)(3) charitable organization established by The Latin Recording Academy® in 2014 to further international awareness and appreciation of the significant contributions of Latin music and its makers to the world’s culture. The Foundation provides college scholarships, educational programs and grants for the research and preservation of its rich musical legacy and heritage, and to date has donated over $7.6 million with the support of The Latin Recording Academy members, artists, corporate sponsors and other generous donors. For additional information, or to make a donation, please visit [www.latingrammyculturalfoundation.org](http://www.latingrammyculturalfoundation.org/en) , [Amazon Smile](https://smile.amazon.com/gp/chpf/homepage/ref=smi_chpf_redirect?ie=UTF8&ein=46-4770436&ref_=smi_ext_ch_46-4770436_cl) or our [Facebook](https://www.facebook.com/LatinGRAMMYCulturalFoundation) page. And follow us @latingrammyfdn on [Twitter](https://twitter.com/LatinGRAMMYFdn) and [Instagram](https://www.instagram.com/latingrammyfdn/), and at Latin GRAMMY Cultural Foundation on [Facebook](https://www.facebook.com/LatinGRAMMYCulturalFoundation).

**MEDIA CONTACT:**

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The Latin GRAMMY Cultural Foundation® Announces Winners Of Its Research And Preservation Grant Program

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<h3 style="color:#001489; font-size: 28px;">LATIN GRAMMYs KEY DATES</h3>

**For recordings released: June 1, 2024 – May 31, 2025**

| **APRIL 1** | ONLINE ENTRY PROCESS (OEP) ONE ROUND ONLY |
|----------|----------|
| **JULY 28** | 1st ROUND ONLINE VOTING |
| **TBD** | NOMINATIONS ANNOUNCEMENT |
| **OCT. 1** | FINAL ROUND ONLINE VOTING |
| **TBD** | 26th ANNUAL LATIN GRAMMY AWARDS® |

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ARTIST

Bad Bunny

WINS*

12

NOMINATIONS*

40

25th Annual Latin GRAMMY Awards

NOMINATION

Record Of The Year

Monaco

View All Nominations For This Artist

Bad Bunny Videos

25th Annual Latin GRAMMY Awards

Wins

Best Reggaeton Performance

Perro Negro

Nominations

Best Short Form Music Video

Baticano

Best Rap/Hip Hop Song

Thunder y Lightning

Best Rap/Hip Hop Song

Telefono Nuevo

Best Urban Music Album

Nadie Sabe Lo Que Va A Pasar Mañana

Best Reggaeton Performance

Un Preview

Best Urban Fusion/Performance

Nadie Sabe

Record Of The Year

Monaco

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